Shaman wrote:Could this cause a problem (aka destroy something)? The source is also balanced, if that helps.
If there is not such danger I can try it out and see how it goes.
Without an input reference to ground (when your "balanced α20" is comprised of two unbalanced, ground-based α20 modules) it'd be akin to connecting an unbalanced source RCA cable partially (the center pin makes contact but not the ground). The result is a big hum.
I'm mostly trying to avoid multiple connections of G to the chassis. If I follow the recommended wiring I have "audio G" to chassis connections at the A20 inputs AND on the power amp's PCB.
To be safe perhaps I should first try wiring it the way you recommend and, if I have any issues, then try to disconnect pin1.
There only needs to be one place for chassis grounding. If your power transformer is external to the amp chassis, then connect pin 1 to the amp's case (But nowhere else). If your power transformer is also in the same chassis, then the AC ground from the IEC module should be connected to the chassis, and the input pin 1s should connect to the α20 signal grounds, but isolated from the chassis through a ground loop breaker.
Why do you need to connect the power amp PCB to the chassis?
I'm also trying to have my gear (which is mostly balanced) follow the "recommended" XLR wiring which is very specific about Pin 1.
Most sources say Pin 1 should not be a part of the "audio" chain. It should be connected to chassis and only there.
Here is such a reference.
The Rane notes apply to "balanced" electronics that are
not comprised of two ground-referenced modules. The pro gear world typically either convert the balanced signal to unbalanced internally (using a balanced line receiver chip or a signal transformer), or more rarely, use a fully-differential design that isn't ground-based.